Friday, March 5, 2010

Pandorum



Largely dismissed as yet another Alien carbon, the science-fiction/horror hybrid Pandorum exceeds the limits of that critique with an agreeable mix of atmospherics and high-voltage scares. Ben Foster and Dennis Quaid--two consistently watchable actors, and both well used here--are top-billed as a pair of space travelers who awake from lengthy hibernation with no idea who they are or how they got aboard a vast and seemingly empty spacecraft. Their exploration of the ship uncovers not only a handful of fellow humans, among them martial arts champ Cung Le and French scientist/requisite eye candy Antje Traue, but a host of feral mutants with unpleasant designs on them. Director Christian Alvert, who gained international acclaim among genre viewers with his thriller Antibodies, keeps viewers engaged and unsettled with shadow-steeped cinematography and elaborately creepy production design, though his own attention span, which can be charitably described as blink and you'll miss it, obscures the clashes between the human and monster cast. However, Alvert has a few twists up his sleeve for the finale--one inspired, the other, less so--which not only helps to smooth over any of Pandorum's rougher edges, but also indicates that he's a genre director to watch. --Paul Gaita

The Informant!



Steven Soderbergh's The Informant!--like the director's one-two Oscar® punch, Erin Brockovich and Traffic--is an energetic exposé of corporate/criminal chicanery with wide-ranging implications for life in these United States. Not so much like those movies, it plays as hyper-caffeinated comedy. At its center is Mark Whitacre (Matt Damon), a biochemist and junior executive at agri-giant Archer Daniels Midland who, in 1992, began feeding the FBI evidence of ADM's involvement in price fixing. Mark's motive for doing so is elusive, sometimes self-contradictory, and subject to mutation at any moment. To describe him as bipolar would be akin to finding the Marx Brothers somewhat zany. His Fed handlers, along with the audience, start thinking of him as a hapless goofball. Then they and we get blind-sided with the revelation of further dimensions of Mark's life at ADM, and the nature of the investigation--and the movie--changes. That will happen again. And again. It's Soderbergh's ingenious strategy to make us fellow travelers on Mark's crazy ride, virtually infecting us with a short-term version of his dysfunctionality.
Props to screenwriter Scott Z. Burns for boiling down Kurt Eichenwald's 600-page book The Informant: A True Story without sacrificing coherence. And Matt Damon, bulked up by 30 pounds and spluttering his manic lines from under a caterpillar mustache, reconfirms his virtuosity and his willingness to dive deep into such a dodgy personality. On the downside, despite a small army of comedians in cameo roles, The Informant! has nothing like the rich field of subsidiary characters encountered in Erin Brockovich and Traffic. That lack of vibrancy is aggravated by the dominance of prairie-flat Midwest speech patterns and cadences (most of the film unreels in Illinois), and the razzmatazz score by veteran tunesmith Marvin Hamlisch sounds like pep-rally music on an industrial film. Soderbergh also photographed the movie (under his pseudonym Peter Andrews), and his decision to show everything through a corn-mush filter turns it into a big-screen YouTube experience. --Richard T. Jameson

Farscape - The Peacekeeper Wars



Created at least in part due to popular demand, Farscape: The Peacekeeper Wars will provide some closure to fans who were dismayed by the demise of the popular science fiction television show in 2003 and campaigned mightily to bring it back. Indeed, this miniseries (originally broadcast over two nights on the Sci-Fi Channel) will likely appeal primarily to the Farscape faithful, as the somewhat convoluted storyline may prove baffling to the uninitiated.

A brief bit of backstory explains how John Crichton, an astronaut from Earth, went through a wormhole and ended up on Moya, a living spaceship, with a motley group of aliens, including D'Argo (Anthony Simcoe), Chiana (Gigi Edgley), various puppet characters (designed by the Jim Henson Company), and Aeryn (Claudia Black), Crichton's love interest, who's expecting their first child. As The Peacekeeper Wars begins, our heroes find themselves in the middle of a war-to-end-all-wars between the lizard-like, implacably evil Scarrans and their rivals, the Peacekeepers. Crichton is the lynchpin in all of this, as his knowledge of "wormhole technology" is coveted by all, including his old nemesis Scorpius (Wayne Pygram), who captured and tortured Crichton back in season 1 and with whom Crichton must now form an uneasy alliance against the Scarrans.


Over the course of the three-hour miniseries, we get lots of weird- and cool-looking aliens, some nice sets and special effects, plenty of battles, and lots of portentous talk about the fate of the universe--nothing especially original, but all presented with outstanding production values. There's drama and action, love and betrayal, tragedy and triumph, war and, ultimately, peace, with a suitably spectacular ending (and a nod to Stanley Kubrick's 2001: A Space Odyssey). With a 30-minute "making of" documentary among the DVD special features, The Peacekeeper Wars is a fitting way to end the Farscape saga. --Sam Graham

Thursday, March 4, 2010

Up in the Air



Up in the Air transforms some painful subjects into smart, sly comedy--with just enough of the pain underneath to give it some weight. Ryan Bingham (George Clooney) spends most of his days traveling around the country and firing people; he's hired by bosses who don't have the nerve to do their layoffs themselves. His life of constant flight suits him--he wants no attachments. But two things suddenly threaten his vacuum-sealed world: his company decides to do layoffs via video conference so they don't have to pay for travel, and Bingham meets a woman named Alex (Vera Farmiga, The Departed), who seems to be the female version of him… and of course, he starts to fall in love. Writer-director Jason Reitman is building a career from funny but thoughtful movies about compromised people--a pregnant teen in Juno, a cigarette-company executive in Thank You for Smoking. George Clooney has a gift for playing smart men who aren't quite as smart as they think they are (Michael Clayton, Out of Sight). The combination is perfect: Bingham is charming and sympathetic but clearly missing something, and Up in the Air captures that absence with clarity and compassion. The outstanding supporting cast includes Anna Kendrick (Rocket Science), Jason Bateman (Arrested Development), Danny McBride (Pineapple Express), Melanie Lynskey (Away We Go), and others, each small part pitched exactly right. --Bret Fetzer

My Neighbor Totoro (Two-Disc Special Edition) (1988)



My Neighbor Totoro is that rare delight, a family film that appeals to children and adults alike. While their mother is in the hospital, 10-year-old Satsuki and 4-year-old Mei move into an old-fashioned house in the country with their professor father. At the foot of an enormous camphor tree, Mei discovers the nest of King Totoro, a giant forest spirit who resembles an enormous bunny rabbit. Mei and Satsuki learn that Totoro makes the trees grow, and when he flies over the countryside or roars in his thunderous voice, the winds blow. Totoro becomes the protector of the two sisters, watching over them when they wait for their father, and carrying them over the forests on an enchanted journey. When the children worry about their mother, Totoro sends them to visit her via a Catbus, a magical, multilegged creature with a grin the Cheshire Cat might envy.
Unlike many cartoon children, Satsuki and Mei are neither smart-alecky nor cloyingly saccharine. They are credible kids: bright, energetic, silly, helpful, and occasionally impatient. Filmmaker Hayao Miyazaki makes the viewer believe the two sisters love each other in a way no American feature has ever achieved. My Neighbor Totoro is enormously popular in Japan, and some of the character merchandise has begun to appear in America. The film has also inspired a Japanese environmental group to buy a Totoro Forest preserve in the Saitama Prefecture, where Miyazaki's film is set. --Charles Solomon

Tuesday, March 2, 2010

Alice (2009 Miniseries)



Abandoned by her father as a child, the independent twenty-one-year-old Alice is accustomed to men being unpredictable, but Jack Chase is something else. Just moments after surprising her with a rare family ring, he’s suddenly kidnapped by two thugs and driven into darkness. It is then that Alice is confronted by a sharply dressed stranger who calls himself White Rabbit, and who promises to know more about Jack than she. Where Alice follows him is through the liquid glass of an ornate mirror. Where she lands is Wonderland, an outlandish underground city of twisted towers and parapets, staircases conceived in a Dali dream, and an otherworldly purple horizon. Soon, the word’s out that Wonderland has its most prized captive. It seems Alice has the ring that controls the looking glass—the key to the power of the Queen of Hearts. It was mad folly for her son Jack to give it to a girl he barely knew. But Jack had his reasons. Discovering them is up to Alice.

The Sound of Music (Two-Disc 40th Anniversary Special Edition) (1965)




When Julie Andrews sang "The hills are alive with the sound of music" from an Austrian mountaintop in 1965, the most beloved movie musical was born. To be sure, the adaptation of Richard Rodgers and Oscar Hammerstein II's Broadway hit has never been as universally acclaimed as, say, Singin' in the Rain. Critics argue that the songs are saccharine (even the songwriters regretted the line "To sing through the night like a lark who is learning to pray") and that the characters and plot lack the complexity that could make them more interesting. It's not hard to know whom to root for when your choice is between cute kids and Nazis.

It doesn't matter. Audiences fell in love with the struggling novice Maria (Andrews), the dashing Captain von Trapp (Christopher Plummer), and, yes, the cute kids, all based on a real-life World War II Austrian family. Such songs as "My Favorite Things," "Do Re Mi," "Climb Every Mountain," and the title tune became part of the 20th century Zeitgeist. In addition, The Sound of Music officially became a cult hit when audiences in London began giving it the Rocky Horror Picture Show treatment, attending showings dressed as their favorite characters and delivering choreographed comments and gestures along with the movie. So why resist, especially when the 40th Anniversary Edition is the best DVD yet.


Sunday, February 28, 2010

Cloudy with a Chance of Meatballs (Single-Disc Edition)



Judi and Ron Barrett's Cloudy with a Chance of Meatballs is a much-loved, whimsical book about a tiny island where food falls from the sky like rain. The book serves as a jumping-off point for Sony's animated, digital 3-D Cloudy with a Chance of Meatballs which is not so much a retelling of the book as an exploration of what makes food rain from the sky on a small island in the middle of the Atlantic Ocean. Flint (Bill Hader), a clever young inventor with a reputation for creations gone awry, has recently completed a machine that he claims will turn water into food. Like his past failed inventions, Flint's new food-converting machine doesn't work as planned, and on its initial test run it ends up getting launched into the sky where clouds form and begin to rain cheeseburgers.

The falling burgers destroy the Swallow Falls community's latest attempt to bolster its failing, sardine-dependent economy, but the Mayor's (Bruce Campbell) initial fury quickly turns to greedy anticipation as he begins to realize that food falling from the sky could serve as an innovative tourist draw. As the entire town is caught up re-defining itself as "Chew and Swallow," only Flint's father (James Caan) remains skeptical of his son's invention. Greed leads to some very strange weather events like spaghetti twisters and extra-giant food which, while providing a huge career opportunity for brainy weather intern Sam Sparks (Anna Faris) who's masquerading as an air-headed television personality, also threaten to destroy the town and its inhabitants. In the end, only the collaborative efforts of Flint, his father, and Sam can save the town of Chew and Swallow from certain destruction by the out of control invention. Cloudy with a Chance of Meatballs is a funny, imaginative film that's well-animated and immensely entertaining for kids and adults. Rated PG for brief mild language, but appropriate for most ages 5 and older. --Tami Horiuchi

Band of Brothers



An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer

All 10 episodes on 6 discs
Documentary We Stand Alone Together (80 mins.)
The Making of "Band of Brothers" (30 mins.)
Ron Livingston's "Video Diaries": the making of the film through the eyes of an actor (55 mins.)
Photo gallery
Previews of all 10 episodes
Interactive "Field Guide" featuring timelines, maps, profiles and other information

The Dark Knight (+ BD Live) [Blu-ray]



The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city. He enters an uneasy alliance with the young police lieutenant, Jim Gordon (Gary Oldman), and Batman (Christian Bale), the caped vigilante who seems to trust only Gordon--and whom only Gordon seems to trust. They make progress until a psychotic and deadly new player enters the game: the Joker (Heath Ledger), who offers the crime bosses a solution--kill the Batman. Further complicating matters is that Dent is now dating Rachel Dawes (Maggie Gyllenhaal, after Katie Holmes turned down the chance to reprise her role), the longtime love of Batman's alter ego, Bruce Wayne.
In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

On the Blu-ray disc
The Dark Knight on Blu-ray is a great home-theater showoff disc. The detail and colors are tremendous in both dark and bright scenes (the Gotham General scene is a great example of the latter), and the punishing Dolby TrueHD soundtrack makes the house rattle. (After giving us only Dolby 5.1 in a number of big Blu-ray releases this fall, Warner came through with Dolby TrueHD on this one.) One of the most interesting elements of The Dark Knight was how certain scenes were shot in IMAX, and if you saw the movie in an IMAX theater the film's aspect ratio would suddenly change from standard 2.40:1 to a thrilling 1.43:1 that filled the screen six stories high. For the Blu-ray disc, director Christopher Nolan has somewhat re-created this experience by shifting his film from 2.40:1 aspect ratio (through most of the film) to 1.78:1 in the IMAX scenes. While the effect isn't as dramatic as it was in theaters, it's still an eye-catching experience to be watching the film on a widescreen TV with black bars at the top and bottom, then seeing the 1.78:1 scenes completely fill the screen. The main bonus feature on disc 1 is "Gotham Uncovered: The Creation of a Scene," which is 81 minutes of behind-the-scenes footage about the IMAX scenes, the Bat suit, Gotham Central, and others. You can watch the film and access these featurettes when the icon pops up, or you can simply watch them from the main menu. A welcome and unusual feature is that in addition to English, French, and Spanish audio and subtitles, there's an audio-described option that allows the sight-impaired to experience the film as well.

Disc 2 has two 45-minute documentaries on Bat-gadgets and on the psychology of Batman, both in high definition. They combine movie clips, talking heads, and comic-book panels, but aren't the kind of thing one needs to watch twice. More engaging are six eight-minute segments of Gotham Central, a faux-news program that gives some background to events in the movie, plus a variety of trailers, poster art, and more. The BD-Live component on disc 1 is more interesting than on some earlier Blu-ray discs, which could be simply a matter of the content starting to catch up with the technology. There are three new picture-in-picture commentaries, by Jerry Robinson (creator of the Joker), DC Comics president Paul Levitz, and Senator Patrick Leahy (D-Vt.--he's a Batman fan who's made some movie and TV cameos), plus you can record your own commentary and upload it for others to watch. There are also three new featurettes ("Sound of the Batpod," "Harvey Dent's Theme," and "Hans Zimmer and James Newton Howard") and two motion comics ("Mad Love," featuring Harley Quinn, and "The Shadow of Ra's Al Ghul"). No longer available is the digital copy of the film (compatible with iTunes and Windows Media, standard definition, download code expires 12/9/09). --David Horiuchi

Movie with Focus Points (picture in picture)
Explore your favorite movies through BD-Live™, an interactive gateway to exclusive content
2.40:1 aspect ratio, with IMAX sequences in 1.78:1
Gotham Uncovered: Creation of a Scene: Director Christopher Nolan and creative collaborators unmask the incredible detail and planning behind the film, including stunt staging, filming in IMAX®, and the new Bat-suit and Bat-pod
Explore your favorite movies through BD-Live™, an interactive gateway to exclusive content
Batman Tech: The incredible gadgets and tools (in high-def)
Batman Unmasked: The Psychology of The Dark Knight: Delve into the psyche of Bruce Wayne and the world of Batman through real-world psychotherapy (in high-def)