Ramona and Beezus (2010)

Beverly Cleary fans will love Ramona and Beezus, a peppy, affectionately directed film based on the series of Cleary's children's books, starring the adorable, awkward Ramona Quimby. Ramona and Beezus manages to appeal to three distinctly different audiences--tweens, because of its heroine, played with winsome agility by the adorable Joey King; teens, because of the presence of actress-singer Selena Gomez as Beezus (short for Beatrice), the hapless Ramona's older sister; and adults, because of the great casting of the girls' parents, Bridget Moynahan and especially John Corbett. There's also a romantic sub-story involving Ramona's Aunt Bea, played by Ginnifer Goodwin, and a neighbor, Hobart (Josh Duhamel). But the star of this film, as with the Cleary books, is Ramona, the imaginative, active, creative, and sometimes lost-in-her-own-world 9-year-old, whose best intentions have a funny way of nearly always going awry. Ramona and Beezus is adapted from several of Cleary's books, and readers will recognize many of Ramona's escapades and mishaps. And perhaps surprisingly, they knit together to make a fine, cohesive family film--the cast interacts well together, especially King and Gomez, whose sisterly chemistry is adorable. There are several laugh-out-loud moments, including a really, really bad cooking incident, and the most creative accidental paint job ever perpetrated on a Jeep. But there's pathos too, and real family emotion, and there are a few teary scenes that make Ramona and Beezus that much more endearing. My 10-year-old companion pronounced it "awesome," "believable," and "really, really funny, with good music." Beverly Cleary fans of all ages will agree. --A.T. Hurley

Inception (Three-Disc Blu-ray/DVD Combo + Digital Copy) (2010)

Acclaimed filmmaker Christopher Nolan directs an international cast in this sci-fi actioner that travels around the globe and into the world of dreams. Dom Cobb (Leonardo DiCaprio) is the best there is at extraction: stealing valuable secrets inside the subconscious during the mind’s vulnerable dream state. His skill has made him a coveted player in industrial espionage but also has made him a fugitive and cost him dearly. Now he may get a second chance if he can do the impossible: inception, planting an idea rather than stealing one. If they succeed, Cobb and his team could pull off the perfect crime. But no planning or expertise can prepare them for a dangerous enemy that seems to predict their every move. An enemy only Cobb could have seen coming.

Science-fiction features often involve time travel or strange worlds. In Christopher Nolan's heist thriller Inception, the concepts converge through the realm of dreams. With his trusty associate, Arthur (Joseph Gordon-Levitt, a fine foil), Dom Cobb (Leonardo DiCaprio, in a role that recalls Shutter Island) steals ideas for clients from the minds of competitors. Fallen on hard times, he's become estranged from his family and hopes one last extraction will set things right. Along comes Saito (Ken Watanabe, Batman Begins), who hires Cobb to plant an idea in the mind of energy magnate Fischer (Cillian Murphy, another Batman vet). Less experienced with the art of inception, Cobb ropes in an architecture student (Ellen Page), a chemist (Dileep Rao), and a forger (Tom Hardy) for assistance. During their preparations, Page's Ariadne stumbles upon a secret that may jeopardize the entire operation: Cobb is losing the ability to control his subconscious (Marion Cotillard plays a figure from his past). Until this point, the scenario can be confusing, since the action begins inside a dream before returning to reality. Then, after the team gets to Fischer, three dream states play out at once, resulting in four narratives, including events in the real world. It all makes sense within the rules Nolan establishes, but the impatient may find themselves much like Guy Pearce in Memento: completely confused. If Inception doesn't hit the same heights as The Dark Knight, Nolan's finest film to date, it's a gravity-defying spectacular to rival Dark City and The Matrix. --Kathleen C. Fennessy

The Expendables (2010)

They might be expendable, but they sure are durable: The Expendables is crammed with well-traveled action heroes, called to a summit meeting here to capture some of that good old ultraviolent '80s-movie feel. Star-director Sylvester Stallone rides herd as the leader of this mercenary band, which includes Jason Statham, Jet Li, and Stallone's old Rocky V nemesis Dolph Lundgren. Mickey Rourke, looking like a car wreck on Highway 61, plays the tattoo artist who communicates the gang's assignments to Stallone; throw in Terry Crews and Ultimate Fighting champ Randy Couture, and you've got a badass crew indeed. The specifics here involve a Latin American island where US interests have mucked up the local politics beyond repair--but when Sly's eye is caught by the feisty daughter (Giselle Itie) of the local military jefe, a simple job gets complicated. Adding to the B-movie flavor of the enterprise, we've got Eric Roberts and Steve Austin bouncing around as badder-than-the-bad guys, plus Bruce Willis popping in for a one-scene bit, and… well, perhaps another unbilled cameo. The violence doesn't reach the frantic pace of Stallone's last Rambo picture, but it builds to a pretty crazy crescendo in the final reels, during which each cast member gets to show his stuff. Although Stallone's face looks younger than it did in the first Rocky movie, his line delivery is more sluggish than ever, and what lines! The dialogue is stuck in the '80s, too. Although it's pretty ham-handed throughout, The Expendables is likely critic-proof: the audience that wants to see this kind of body-slamming throwdown isn't going to care about the niceties. Let the knife throwing begin. --Robert Horton